Darren Cesca has been involved in drumming and the music industry over the past 2 decades. He’s worked with bands from all over the world, toured extensively, and currently runs House of Grind Studio. He’s worked with bands such as Deeds of Flesh, Vile, and Arsis, and is currently active with Eschaton, Goratory, Serpent of Gnosis, Pillory, and Cytolysis.
“This Eschaton record aligns with everything that I love about extreme music. It allowed me the creative freedom to write brand-new ideas and find ways for my drumming to enhance the overall feel and energy of the music. The songs are unique, and when writing them, we knew the album could be something special. Everyone stepped up.”
Darren’s Links:
Follow Darren here – https://www.youtube.com/@House_of_Grind/
For Studio Inquires, contact Darren at – Blastfest03@gmail.com or https://www.facebook.com/darren.cesca
Band Links:
Eschaton Facebook – https://facebook.com/eschatonmetal
Eschaton Instagram – https://instagram.com/eschatonmetal
Bandcamp – https://eschaton-label.bandcamp.com
Store links – https://linktr.ee/transcendingobscurity
Darren’s Gear:
Spaun Xtreme Series Drums
TRX Cymbals
Pearl Demon Drive pedals
Vader Sticks
Evans heads
Roland Electronics
Darren Proudly Endorses:
Spaun drums – https://spaundrums.com/
TRX Cymbals – https://trxcymbals.com/
About Eschaton:
Technical death metal band Eschaton returns after a gap of six years with a reinvigorated, star-studded line-up that undoubtedly elevates their sound to hitherto unexplored heights. They have none other than Christian Münzner formerly of Obscura and Necrophagist accompanying the band founder Josh Berry on guitars. For the vocals, they have enlisted the services of Mac Smith of Apogean and Abyssalis and for the bass, they have brought on Scott Bradly from Inanimate Existence while Darren Cesca of Pillory and formerly in Deeds of Flesh and Arsis continues to hold down the fort on drums. Most importantly, this line-up sounds just as devastating on this album as it does on paper. They have contributed to creating a tech death album that can stand on its own and does not have to be necessarily pitted against any of the aforementioned bands’ past efforts. The members excel in their own specialized ways and they manage to make it work. It is meticulously and passionately put together which is all too apparent in the music that can be dizzyingly fast and mind-bogglingly technical but also groovy and memorable while being on the whole diverse yet dynamic and pulsating with energy. It is not just music meant for the tech death fans; it is music that will invariably get them excited. As such, this should be regarded as a landmark album in the style, with the presence of the illustrious members in the lineup not taking away from the irrefutable fact that this is indeed great tech death music.
