Louisiana based experimental project "Psychometry" has hired the services of Suffocation drummer Mike Smith to perform and record on their upcoming Album "The Four Points". Psychometry is an atmospheric, melodic metal band made up of […]
Keep up with Matt here: www.myspace.com/allshallperish I began drumming at 16, just inspired by grindcore and deathmetal's double bass. I was heavily influenced by Dying Fetus, Excruciating Terror, Slayer, and Origin. I did […]
Christian Death-Metalers War of Ages are proving that there is room for their brand of Death Metal in a genre that has been long known for themes evil, aggression and destruction. But don’t let this […]
Facedown Recording artists Thieves and Liars have just released their debut CD and are set to take their signature sound to the world. Reminiscent of Rock and Roll from the Seventies the band has created […]
Check out our live PodCast interview with Dave Witte. Our own John Paradiso, an old friend to Dave, ran the interview last night. We love Dave here at SickDrummer.com and I'm sure you know why…. […]
We talked with Brann Dailor of Mastodon last night. Just login and listen to what Brann had to say about the upcoming Mastodon album, growing up in Rochester and whatever else we threw at him. […]
Keep up with Paul here: www.paulwandtke.com www.myspace.com/paulwandtke Paul Wandtke currently resides in Chicago where he teaches and is an active performer with various groups, he is also an active studio drummer. Paul was […]
Keep up with Cameron here: www.myspace.com/bornofosiris My first instrument I learned to play was piano. After taking lessons for a few years I became bored with it and wanted to try something new. When […]
Leave it Alone is the first track to be released from the up-coming memorial disc honoring the legendary Dimebag Darrell Abbott. The incredible story of Darrell's life and death is well known and tributes were […]
Keep up with Tomas here: www.myspace.com/meshuggah Tomas Haake is noted for his technical abilities, as his drumming style is characterized by the heavy use of polyrhythms, while often maintaining a steady 4/4 […]